I made a big mistake today. After varnishing some newly finished figures I had a
close look at some of the very first figures I'd painted for my Timurid/Islamic
Persian/Moghul project. In particular, I looked at the
Afghan spearmen (May 2009)
and some late medieval handgunners for the Timurids (of a similar date). They've
been sitting happily in their toolbox waiting for the rest of the lead pile to
join them. I have to say I wasn't impressed.
In Dec 2009 I bought my
magnifier
so looking at these pre-magnifier figures was a shock. The edges of the main
block colours were untidy and the highlights were high contrast and "stripey" to
boot. On some figures my painting was just plain awful. I certainly wouldn't
paint them like this today.
I know I was struggling to see figures properly for a while before I
bought the magnifier but I didn't think it was this bad. My failing eyesight
explains the lack of control and neatness. I must have been over emphasising the
highlights to compensate as well. If you look critically at the photo of the
back of the spearmen you should see what I mean.
Anyway, and to cut a long story short, they've all been re-painted; just the
coats and jackets mind you. They now have a neater block colour and a more muted
highlight. To speed up the process I used
Flat Future
to seal and varnish the figures which worked like a charm. On the positive side
it didn't take that long and they now are a closer match to my current style.
The magnifier has obviously improved the quality of my painting and I suspect
that in the last five years my style has improved too. I know that in the last
couple of years I've been making a conscious effort to highlight with a colour
just different enough from the base to be seen clearly and no more.
The moral of the story is never look back.
I have a dream to paint an army to my best standard and put in on a game table sit back and admire, problem is my style evolves so often if I every cam near to this the last figures painted would not exactly match the first. Also as the painter you know any errors and they are the first part you see on the figure, it would be so great to be able to look at your figures with the eyes of a stranger and enjoy them for all that is good on them and not that one tiny error that only you know is their.
ReplyDeleteI agree dont look back.
Peace James